Michel Foucault defines heterotopias as, “something like counter-sites, a kind of effectively enacted utopia in which the real sites, all the other real sites that can be found within the culture, are simultaneously represented, contested, and inverted” (1). He explains that these places are real and exist in every culture. I believe a perfect example of one of these spaces is a fitness center/gym.
In gyms it is normal for people to sweat, throw objects on the ground (dumbbells) and slam weight plates together, make loud noises ranging from grunting to yelling, and interact with strangers. All of these actions are considered abnormal in the setting of most places in society, such as a school or restaurant, but in the atmosphere of the gym these actions are completely normal and expected. One of the most absurd instances of a typical act performed in a gym when compared to any other setting is a man asking another man to spot him while lifting. For a man to go up to a complete stranger and ask that person to place his hands very close to, if not on his own body, and then assist him in his exercise is absolutely ludicrous in theory yet it happens constantly and is a fully acceptable action in a gym. This example shows how the norms of society are not enforced in the setting of a fitness center, and for that reason a fitness center is an ideal example for Foucault’s heterotopias.
Similarly, the stage of a bodybuilding contest represents a utopia. According to Foucault, utopias “present society itself in a perfected form, or else society turned upside down” (1). In bodybuilding, the main goal is to shape one’s body to a perfected form, and look God-like. A perfect human is completely nonexistent in today’s society, but the physical shapes of bodybuilders are designed to represent a sculpture and perfectly defined human being. To form a human’s body to the image of a Greek God is fundamentally impossible and therefore represents key aspects of a utopia. On a stage where men whose bodies are taken to the absolute extreme form and are gleaming in oil, vascular due to dehydration, massive from years of training, dark from self-tanner people can't stop themselves from staring. It seems unreal, these men's bodies seem as astounding pieces of human flesh sculpted together in a perfected form. For all of these reasons, when a person looks at the stage of Mr. Olympia, where all the competitors are standing, he/she is looking at a perfect representation of a utopia. Below is an image from the 2010 Mr. Olympia prejudging.
(Hinds) |
Works Cited
Foucault, Michel. "Of Other Spaces (1967), Heterotopias." Foucault, info. Foucault, info, n.d.
Web. 13 Mar. 2011.
Hinds, Isaac.2010 Mr. Olympia. 2010. Web. 15 March 2011. <http://sizematter.com/>.
Web. 13 Mar. 2011.
Hinds, Isaac.2010 Mr. Olympia. 2010. Web. 15 March 2011. <http://sizematter.com/>.